Orkhan Mammadov, a pioneering media artist and AI researcher from Azerbaijan, is making waves on the international scene with his groundbreaking new media artworks. Born in 1990 in the culturally rich city of Ganja, Mammadov’s interest in digitizing and regenerating cultural heritage has led him to create works that explore the complex relations between cultural heritage, society, science, and human interaction.
Orkhan studied Computer Science in Baku from 2008 to 2010 before pivoting towards visual communication, which he undertook in Istanbul from 2012 to 2014. After that, he pursued Fine Arts and Experimental Media in Prague from 2014 to 2016 and Innovation Entrepreneurship in Amsterdam from 2020 to 2021. Mammadov has gathered several influences over time, with the likes of Ryoji Ikeda, Olafur Eliasson, James Turrell, Takashi Murakami, and Yayoi Kusama being chief among his many inspirations.
The artist’s background in computer science and visual communication, combined with his passion for regenerating history and culture, has led him to develop a unique creative oeuvre that blurs the lines between art and technology. His striking works often feature intricate patterns inspired by traditional Kilim motifs, as well as Girih patterns found in Middle Eastern architecture.
My multi-layered work blurs a range of ornaments and digital artefacts, all the while working in interactive methods through the artistic production of conceptual moving images, heavy new media installations, and technical forensics applications.
Orkhan is using artificial intelligence and machine learning in order to create stunning phygital data sculptures and paintings. His works challenge our understanding of cultural heritage and re-imagine the heritage of the Middle East. Mammadov’s art is more than just visually impressive. It’s also deeply research-based. Mammadov’s works put front and center the significance of Azerbaijani and Middle Eastern tradition, history, and both tangible and intangible heritage.
Mammadov’s works have been exhibited internationally, including the Venice Biennale in 2019. He has gained recognition for his dynamic carpet installations and data sculptures, which explore themes of alienation, escapism, and the interplay between virtual and real worlds. His artistic practice is a powerful commentary on the rapid and chaotic technological changes taking place in the world, as well as a reflection on the unique challenges and opportunities facing the Middle East and Azerbaijan.
In the natural world, everything is based on golden ratio and therefore mathematics, physics and geometry. Flowers, volcanos, stones, plants, animals, they are all created with amazing perfection. As an artistic creator, I use mathematics to replicate what nature does but upon non-natural objects like a carpet. Of course, we can never claim perfection, but I use perfect algorithms to create imperfect object.
For Mammadov, art is a way of bridging past and present, tradition and innovation. He sees his work as an opportunity to create digital alternatives for future generations, preserving and re-imagining cultural heritage in new and exciting ways. By using mathematics, physics, and geometry to create imperfect objects, he seeks to replicate the natural world and bring its perfect order to the world of art.
With his unique vision and innovative approach, Orkhan Mammadov is a rising star in the art world, a trailblazer who’s pushing the boundaries of what’s possible in the field of new media art. As he continues to explore the intersections between culture, technology, and human experience, we can expect to see more exciting and thought-provoking works from this talented artist.
One of the recent projects by Orkhan Mammadov, ‘Orientalism AI data Paintings’, is an immersive exhibition in the framework of Art Dubai Digital 2023. Created by Mammadov, and presented by the Art in Space Gallery, this exhibition featured an immersive experience and a series of paintings created using a combination of AI techniques, including Object Recognition, Cluster Data Visualization, Image Classification Visualization, and GAN Visualization. These techniques were used to generate new and unique visual expressions that pay homage to the rich cultural heritage of the Middle East and North Africa, while also exploring the intersection of traditional art and modern technology.
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